Tonight when I knelt down next to our cat, Zooey,
And put my fingers into her clean cat’s mouth,
And rubbed her swollen belly that will never know kittens,
And watched her wriggle onto her side, pawing the air,
And listened to her solemn little squeals of delight,
I was thinking about the poet, Christopher Smart,
Who wanted to kneel down and pray without ceasing
In every one of the splintered London streets,
And was locked away in the madhouse at St. Luke’s
With his sad religious mania, and his wild gratitude,
And his grave prayers for the other lunatics,
And his great love for his speckled cat, Jeoffrey,
All day today—August 13, 1983---I remembered how
Christopher Smart blessed this same day in August, 1759,
For its calm bravery and ordinary good conscience.
This was the day that he blessed the Postmaster General
“And all conveyancers of letters” for their warm humanity,
And the gardeners for their private benevolence
And intricate knowledge of the language of flowers,
And the milkmen for their universal human kindness.
This morning I understood that he loved to hear---
As I have heard—the soft clink of milk bottles
On the rickety stairs in the early morning,
And how terrible it must have seemed
When even this small pleasure was denied him.
But it wasn’t until tonight when I knelt down
And slipped my hand into Zooey’s waggling mouth
That I remembered how he’d called Jeoffry “the servant
Of the Living God duly and daily serving Him,”
And for the first time understood what it meant.
Because it wasn’t until I saw my own cat
Whine and roll over on her fluffy back
That I realized how gratefully he had watched
Jeoffry fetch and carry his wooden cork
Across the grass in the wet garden, patiently
Jumping over a high stick, calmly sharpening
His claws on the woodpile, rubbing his nose
Against the nose of another cat, stretching, or
Slowly stalking his traditional enemy, the mouse,
A rodent, “a creature of great personal valour,”
And then dallying so much that his enemy escaped.
And only then did I understand
It is Jeoffry---and every creature like him---
Who can teach us how to praise---purring
In their own language,
Wreathing themselves in the living fire.
Edward Hirsch
I love this poem for so many reasons, and I'm so happy to be able to post it today, August 13, 2009 - because the poet is writing it on August 13, 1983, thinking about poor Christopher Smart, who blessed this same day in 1759. This puts me in mind of my new habit of reading diary entries from the last four centuries, and also reminds me that in some ways little has changed in the last 260 years.
People still love their cats (I miss Felix, our good gray cat, dead these 4 years), people still feel wild gratitude for the simplest things in life, like the sound of milk bottles clinking in the morning, and good people still suffer from mental illness.
Showing posts with label Edward Hirsch. Show all posts
Showing posts with label Edward Hirsch. Show all posts
Thursday, August 13, 2009
Sunday, June 28, 2009
American Summer
Each day was a time clock that scarcely moved,
a slow fist punching us in, punching us out,
electric heat smoldering in the purple air,
but each night was a towering white fly ball
to center field—“a can of corn”—coming down
through stark glittering above the diamond.
Each day was a pair of heavy canvas gloves
hoisting garbage cans into an omnivorous mouth
that crept through thoroughfares and alleys,
but each night was the feeling of a bat
coming alive in your hands, it was lining
the first good pitch for a sharp single.
That summer I learned to steal second base
by getting the jump on right-handed pitchers
and then sliding head-first into the bag.
I learned to drive my father’s stick shift
And to park with my girlfriend at the beach,
Our headlights beaming and running low.
I was a sixteen-year-old in the suburbs
and each day was another lesson in working,
a class in becoming invisible to others.
But each night was a Walt Whitman of holidays,
the clarity of a whistle at five p.m.,
the freedom of walking out into the open air.
Edward Hirsch
I love the poetry of Edward Hirsch, and "American Summer" is a good one for a hot, muggy day like today promises to be in southern New Jersey. How many teens have taken that class in "becoming invisible to others" first through their summer jobs? How many have experienced the release of summer nights as a "Walt Whitman of holidays," or as a "can of corn" heading straight at them, thrilling and just a little scary?
a slow fist punching us in, punching us out,
electric heat smoldering in the purple air,
but each night was a towering white fly ball
to center field—“a can of corn”—coming down
through stark glittering above the diamond.
Each day was a pair of heavy canvas gloves
hoisting garbage cans into an omnivorous mouth
that crept through thoroughfares and alleys,
but each night was the feeling of a bat
coming alive in your hands, it was lining
the first good pitch for a sharp single.
That summer I learned to steal second base
by getting the jump on right-handed pitchers
and then sliding head-first into the bag.
I learned to drive my father’s stick shift
And to park with my girlfriend at the beach,
Our headlights beaming and running low.
I was a sixteen-year-old in the suburbs
and each day was another lesson in working,
a class in becoming invisible to others.
But each night was a Walt Whitman of holidays,
the clarity of a whistle at five p.m.,
the freedom of walking out into the open air.
Edward Hirsch
I love the poetry of Edward Hirsch, and "American Summer" is a good one for a hot, muggy day like today promises to be in southern New Jersey. How many teens have taken that class in "becoming invisible to others" first through their summer jobs? How many have experienced the release of summer nights as a "Walt Whitman of holidays," or as a "can of corn" heading straight at them, thrilling and just a little scary?
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